Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Dyck, Anthony van
Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung

ID: 79633

Dyck, Anthony van Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung
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Dyck, Anthony van Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung


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Dyck, Anthony van

Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,  Related Paintings of Dyck, Anthony van :. | Detail of the Rest on the Flight into Egypt | Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox | Probably portrait of James II | The Three Eldest Children of Charles I (mk25) | Self-Portrait |
Related Artists:
Adam Colonia
Dutch , Rotterdam 1634-1685 London
Eugene Joors
French 1850-1910
Pieter Gallis
(1633, Enkhuizen - 1697, Hoorn), was a Dutch Golden Age painter. According to Houbraken, he painted as a hobby, since he earned his living as the director of the local pawn shop (Bank van Lening).He specialized in landscapes, flowers, fruit and other forms of still life. He was a very friendly man, especially to artists and art collectors. He was active in Enkhuizen (and perhaps Amsterdam), in Purmerend from 1679-1683, and in Hoorn from 1683 until his death.






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